Pred zadnjo Indek\u0161 lekcijo v leto\u0161njem letu, ki bo v petek 11. 12. v Kinu \u0160i\u0161ka, smo se pogovarjali z danskim elektronskim pop duetom Rangleklods.<\/p>\n
V va\u0161i glasbi lahko sli\u0161imo podobnosti z glasbo iz 90. Ali ste obo\u017eevalci tak\u0161ne glasbe?<\/em><\/strong> Se skriva za vajino glasbo kak\u0161en posebem proces pisanja? Delata glasbo skupaj ali samo kon\u010data idejo, ki se je porodila enemu od vaju?<\/em><\/strong> Ali se zgledujete po kak\u0161nih glasbenikih, ki potem vplivajo na vajino pisanje glasbe?<\/em><\/strong> Nastopala sta na precej veliki festivalih po Evropi. Kak\u0161ne koncertne lokacije imate raje? Klubsko sceno, festivale \u2026 ?<\/em><\/strong> Je kak\u0161en poseben razlog, da nastopate ve\u010dino izven Danske?<\/em><\/strong> Letos sta izdala nov album. Ali sta zadovoljna z njim?<\/em><\/strong> Kak\u0161no sporo\u010dilo za Radio Terminal?<\/em><\/strong> <\/p>\n ——————————————————————————————————————————————————————————–<\/p>\n <\/p>\n In your music, we might hear some similarities to 90’s music. Are you fans of it?<\/em><\/strong> Is there any special process behind writing of your music? Are you doing it together or you just finish the idea that one of you came up with?<\/em><\/strong> Do\u00a0you look up to\u00a0any musicians that later influence you in writing your music?<\/em><\/strong> You performed on many big festival all around Europe.\u00a0What kind of music venues do you prefer? Club scene, festivals \u2026?<\/em><\/strong> Is there any special reason for you to perform mostly outside of Denmark?<\/em><\/strong> You released a new album this year. Are you satisfied with how it turned out?<\/em><\/strong> Any message for the Radio Terminal audience?<\/em><\/strong> Pred zadnjo Indek\u0161 lekcijo v leto\u0161njem letu, ki bo v petek 11. 12. v Kinu \u0160i\u0161ka, smo se pogovarjali z danskim elektronskim pop duetom Rangleklods. V va\u0161i glasbi lahko sli\u0161imo podobnosti z glasbo iz 90. Ali ste obo\u017eevalci tak\u0161ne glasbe? Za naju glasba devetdesetih zelo \u0161iroka definicija. Takrat je nastalo ...<\/p>\n","protected":false},"author":2,"featured_media":19016,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[98],"tags":[1268,1294,1514,1567,2378,2388,3233],"class_list":["post-19015","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-zaslisanje","tag-indeks","tag-intervju","tag-kino-siska","tag-koncert","tag-radio-terminal","tag-rangleklods","tag-zaslisanje"],"_links":{"self":[{"href":"https:\/\/360mag.si\/rt2026\/wp-json\/wp\/v2\/posts\/19015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/360mag.si\/rt2026\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/360mag.si\/rt2026\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/360mag.si\/rt2026\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/360mag.si\/rt2026\/wp-json\/wp\/v2\/comments?post=19015"}],"version-history":[{"count":0,"href":"https:\/\/360mag.si\/rt2026\/wp-json\/wp\/v2\/posts\/19015\/revisions"}],"wp:attachment":[{"href":"https:\/\/360mag.si\/rt2026\/wp-json\/wp\/v2\/media?parent=19015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/360mag.si\/rt2026\/wp-json\/wp\/v2\/categories?post=19015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/360mag.si\/rt2026\/wp-json\/wp\/v2\/tags?post=19015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nZa naju glasba devetdesetih zelo \u0161iroka definicija. Takrat je nastalo veliko odli\u010dnih stvari, po drugi strani pa tudi veliko sranja. Nekaj za naju najbolj vplivnih glasbenih skupin je nastalo v 90., npr. Portishead, Radiohead in Outkast. Na novem albumu Straitjacket sva zagotovo na\u0161la veliko inspiracije v hip hopu in industrialu iz tistega obdobja, recimo Nine Inch Nails.<\/p>\n
\nRazlikuje se od pesmi do pesmi. A pogosto za\u010dnemo pesem samo z improviziranjem in raziskovanjem zvokov in ritmov. Redko skladava na star na\u010din s kitaro v roki, ve\u010dinoma delava s plastenjem, kjer se skladanje, produciranje in miksanje dogajajo isto\u010dasno. Nimava recepta za pisanje glasbe, kar po navadi pomeni, da se proces razvle\u010de. Ampak si tudi zmeraj pustiva, da raziskujeva vse kreativne koti\u010dke ideje.<\/p>\n
\nZelo ob\u010dudujeva Davida Bowieja in njegovo sposobnost predelovanja sebe kot umetnika in performerja. Obo\u017eujeva to, da se nikoli ni stilno omejeval, a je kljub temu pre\u017eivel ves glasbeni razvoj v tej kameleonski maniri. Trudiva se, da bi bila tako pogumna kot Bowie in verjameva v najino vizijo kombiniranja pop \u010dutnosti z eksperimentalnim pristopom do pisanja glasbe.<\/p>\n
\nRada imava vse. Ko se zaklju\u010di sezona klubske scene, komaj \u010dakava, da se za\u010dnejo festivali. \u0160pili v klubih so pogosto taki, kjer te ljudje poznajo in pridejo poslu\u0161at samo tebe, zaradi \u010desar se po\u010duti\u0161 dobro in varno. Festivali so bolj o tem, kako najti publiko in ko ti uspe, je \u010darobno.<\/p>\n
\nNa\u0161la sva sceno izven Danske \u017ee na za\u010detku, mogo\u010de zato, ker se je vse za\u010delo v Berlinu. Veliko igrava tudi na Danskem, ampak je majhna dr\u017eava, zato sva sre\u010dna, da nama je uspelo raz\u0161iriti najino glasbo po Evropi. Verjetno imava mednarodni pristop in zvok.<\/p>\n
\nZadovoljna sva, kolikor bi lahko bila. Naredila sva album po svojih najbolj\u0161ih mo\u010deh in sva zelo ponosna na Straitjacket.<\/p>\n
\nUpava, da se vidimo v \u0160i\u0161ki!<\/p>\n
\nTo us 90’s music is a very broad definition. So much great stuff appeared in this decade – and so much crap as well. Some of our biggest musical influences was formed in the 90’s, like Portishead, Radiohead and Outkast. On Straitjacket we definitely found inspiration in some 90’s hip hop and industrial, like Nine Inch Nails.<\/p>\n
\nIt varies a lot from song to song. But often we begin a song by playing around, exploring sounds and beats. We rarely compose in the old school guitar chord way, we work more layered where composing, producing and mixing is happening in an intertwined process. We don’t have a recipe for writing a song which often makes it a long and curly process. But we also allow ourselves to really explore the creative corners of each idea.<\/p>\n
\nWe really admire David Bowie for his ability to recreate and reinvent him self as an artist and performer. We love how he’s \u00a0never been a genre bound artist but somehow survived music history in this chameleon like manner. We do ourbest to be as courageous as Bowie and really believe in our vision of mixing a pop sensibility with the experimental approach to making music.<\/p>\n
\nWe love all kinds. When we’re done with the venue season we can’t wait to begin the festivals. The venue and club shows are often the ones where people know you and come to see just you which feels so good and safe. Festivals are more about finding your audience and when it happens it can be magical.<\/p>\n
\nWe’ve found a scene outside Denmark from the beginning, maybe also because it started in Berlin. We play a lot in Denmark, but it’s a small country so we’re fortunate to have broadened our audience across Europe. Guess we have an international appeal and sound.<\/p>\n
\nWe are as satisfied as could be. We did our absolute best and we are very proud of Straitjacket.<\/p>\n
\nHope to see you out there!<\/p>\n","protected":false},"excerpt":{"rendered":"